I had a lot of fun working on this video, with a song written by Alan Menken and Craig Carnelia. I arranged, produced, and recorded the audio, with cameos from Stephen Schwartz, Georgia Stitt, Chris Miller, Benj Pasek, Kait Kerrigan and Brian Lowdermilk. Jeremy Levine directed the video.

The National Alliance for Musical Theatre presented our original musical Triangle as part of their 24th Annual Festival of New Musicals in October. This was a great opportunity for us to share our show with theater professionals from New York and around the country. The cast included Bryce Ryness (Godspell, Hair), Wayne Wilcox (Chaplin), Adam Heller (Caroline or Change, Merrily We Roll Along), Margot Siebert, Dana Steingold, and Carrie Cimma.

We're very excited that Triangle has been selected for this summer’s TheatreWorks New Works Festival in Palo Alto, one of the premiere developmental opportunities for new musicals. During an intensive two week workshop, Triangle will receive three public staged readings (August 12, 16 & 18) directed by Meredith McDonough and featuring an amazing cast of New York and Bay Area actors.

Curtis Moore is very happy to have been asked back to be part of the third and final year of the Bridge Project, which opened to rave reviews at London's Old Vic Theater in July.

This production reunites Sam Mendes and Kevin Spacey for the first time since American Beauty, and marks Curtis' fifth Bridge production with Mendes and composer Mark Bennett, having previous collaborated on The Winter's Tale, The Cherry Orchard, As You Like It, and The Tempest.

Richard III played at BAM in January 2012, after a world tour in the fall of 2011.

Check out the video.

Venice, a musical collaboration between Eric Rosen, Matt Sax, and Trickybox Artist Curtis Moore, opened in Kansas city on April 18, 2010 to across the board Raves. Check out some of the reviews:

"Venice is [an] ambitious and expansive work, combining elements of Shakespeare, Greek tragedy, Brechtian allegory and dystopian political fable, all enhanced by rap narration and a melodic, rock-influenced score that is one of the most winning I have heard onstage in years."

Time Magazine, May 14, 2010

"Venice is hot.  As is in: Emotionally hot. Musically hot. Star-quality hot."

Variety, October 18, 2010

"Venice, a sweaty amalgam of Shakespearean plotting, political allegory and hip-hop jam, is truly exciting at its frequent best."

Backstage, October 18, 2010

"it points the way to thrilling and remarkably fresh artistic directions for musical theater."

Kansas City Star, April 2010

"The production-heavy hip hop fused world premiere musical Venice thrills."

Lost In Reviews, April 2010

"Venice, the newest production at the Kansas City Repertory Theatre’s Copaken Stage, is a mashup of styles that works on so many levels."

KCFree Press, April 20, 2010

"It’s crude, raw, offensive, devastating … and completely brilliant."

The University News, April 26, 2010

"Venice is the quantum leap that has every potential to redraw the map of Kansas City theatre."

KCMetropolis.org, April 28, 2010

Trickybox collaborators Thomas Mizer and Curtis Moore are extremely honored to have been selected to receive a 2009 Jonathan Larson Grant in recognition of their theatrical work, including the new musicals Triangle and The Legend of Stagecoach Mary. Administered by the American Theatre Wing, the Larson Grant is dedicated to honoring emerging talent and infusing the music theatre community with new work. The songwriting team’s music was featured at the Grant Presentation Event, March 17, 2009 in New York City.